Flash: Edward Burtynsky’s in

November 19th, 2009  |  Published in News, Info

News just in this morning from Charles Pachter: One of the world’s great living photographers, Edward Burtynsky, has committed to donate a work to be auctioned in support of The Autists.

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The native of St. Catharines, Ontario, has astonished the world with his work, much of which has the power to literally evacuate the air from an unsuspecting set of lungs at first glance. He possesses the singular ability to make profoundly ugly landscapes and scenes of utter wrongness irresistible to the soul of the beholder.

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The quotidian, largely unseen horrors of modern life, the giant-sized bites it exacts from the earth and its humblest inhabitants, the ultimate essence and price of being industrial — this is the currency of Edward Burtynsky.

His website is well worth a visit.

With humility and gratitude, we welcome the man aboard.

And once again, we are indebted to Charles Pachter for making this happen for The Autists.

The further contributions of Charles Pachter

November 18th, 2009  |  Published in News, Info

As well as bringing us a huge slice of this country’s greatest artistic talent to contribute works, The Autists’ Art Curator, Charlie Pachter, has also graciously signed on as a contributor to our live art auction.

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His work is iconic, ironic and patriotic — not an easy blend to master. But master it he does. He’s perfected the creative send-up — royalty, sacred cows (and moose) — whatever passes within reach of his ebullient imagination. His talents extend well beyond fine art into the worlds of architecture, education, fund-raising and, it seems, pretty much anything he applies himself to.

Below, a few choice samples of his work.

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We recommend a visit to Charles’ website where you’ll experience loads more of his art, as well as detailed tours of his many architectural and renovation projects, including his current home/studio, The Moose Factory, in Toronto’s Chinatown.

FLASH: Artist Diana Thorneycroft pledges art for live auction

November 18th, 2009  |  Published in News, Info

Yet another highly-regarded Canadian artist has agreed to donate work to The Autists’ live auction. Diana Thorneycroft, based in Winnipeg, has exhibited across North America, Europe and in Russia, Japan and Australia. Her work is by turns dark, hilarious and discomfiting, but never less than intriguing, and has thus earned her many an award and accolade.

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Her accomplishments range from inclusion in Phaidon Press’ publication Blink, which profiled 100 rising-star photographers, to Canadian Art Magazine naming her most recent show one of its Top 10 Exhibitions of 2008.

See Diane’s portfolio here.

FLASH: Five top artists to donate work to The Autists’ live auction

November 17th, 2009  |  Published in Media Contact Info, News, Info

Great news — already — from our newly installed Art Curator, Mr Charles Pachter: He has sought and received pledges from five prominent artists to donate work to The Autists for the live auction portion of the event.

Here’s a little about each of them and a few peeks at their work.

Viktor Mitic, a native of Belgrade, Serbia, is a master of the stylized portrait and vivid, colour-saturated abstracts among his other techniques and approaches.

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His work has shown in Japan, Serbia and his current base, Toronto, and hangs in the private collections of many well-known Canadians, from former Prime Ministers and ministers to sports celebrities.

Check out more of his work here.

Joanne Tod is a Toronto artist and lecturer whose vast array of superbly crafted work has been exhibited nationally and internationally over the past 20 years.

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Joanne’s work spans portraiture as well as Pop Art-inspired social critique and examination. It is on display in the National Gallery of Canada, the Art Gallery of Ontario and Montreal’s musee d’art contemporain, as well as private art collectors.

See more of her work here.

Kim Dorland is a Canadian-born artist whose work examines the psychic, nostalgic spaces of his Canadian upbringing.

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His work regularly shows in galleries internationally and is part of collections at the Montreal Museum of Fine Arts, the Neumann Family Collection in New York and the Sander Collection in Berlin, as well as several corporate portfolios.

See much more of Kim’s work here.

Thrush Holmes is a talented artist based in Toronto. The OCAD alumnus has had work recently shown in galleries in Ottawa, California, Toronto, Ireland and many other cities and countries. Self-taught, he tackles notions of art, myth, introspection and biography via a great variety of mediums, and to great effect.

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His work is also in Elton John’s private collection, and is regularly featured in influential publications.

See more of his art here.

Kent Monkman is an artist of Cree ancestry who works in a variety of media including paint, film/video, performance and installation. His approach swirls over, under and in between extreme in-your-face hellraising and witty social critique. One thing it’s not is dull.

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He has exhibited widely within Canada and is well represented in numerous private and public collections such as the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

See more of Kent’s work here (and don’t miss the Louis Vuitton quiver).

All in all an exceptional lineup for an art event. An unbelievable one for a fundraiser.

All of us at The Autists and the Geneva Centre for Autism would like to extend a gigantic welcome to all five of these incredible talents, and a profusion of thanks for their generosity.

Oh, and very nice work, Charles.

FLASH: GG Award-winner Wallace Edwards to donate work to The Autists

November 5th, 2009  |  Published in News, Info

Gifted, awarded and much celebrated Canadian artist Wallace Edwards has agreed to donate a work of his art — as yet to be determined — to The Autists for auction at our May 2nd, 2010 extravaganza.

The creator, author and painter of Alphabeasts, Mixed Beasts, Painted Circus and numerous other award-laden children’s publications, agreed to the donation yesterday.

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Known for his refreshingly unconventional imagination and an ability to get its progeny down on canvas or paper with vivid precision, Wallace has worked hard to establish his reputation as one of Canada’s premier artists.

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Born in Ottawa, a graduate of the Ontario College of Art, he works mainly in watercolours and pencil, skillfully blending techniques ranging from cartooning to scientific illustration. His works are in public and private collections, books, magazines and on public display all over North America.

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Wallace has received a great many awards, ranging from the Governor General’s Literary Award (Children’s Book Illustration) for Alphabeasts (2002) and the Ruth and Sylvia Schwartz Children’s Book Award as well as the Amelia Frances Howard-Gibbon Illustrator’s Award for Monkey Business (2004) to the Independent Publisher Book Award (IPPY) Gold Medal (for best children’s picture book, age 7 & over) in 2007 for The Extinct Files (2006).

All of us at The Autists extend a warm welcome aboard to Wallace and thank him profusely for his kind donation.

UNVEILED: The Autists’ Sponsorship Packages

October 28th, 2009  |  Published in Sponsorship Packages, News & Info

After months of figuring, discussion, inquiry and application of as much foresight as humanly possible, we are now in a position to publish our Sponsorship Packages. These are the categories on which we will now focus to attract the funding necessary to stage The Autists in 2010.

We hope you’ll bear in mind that there may be new additions to this matrix in the coming weeks and months, and that we’ll post them the moment we’re able.

So without further yammering, we present our Sponsorship Packages. Let the festivities begin!

THE AUTISTS Title Sponsorship $30,000

Benefits:
•    Corporate event naming  (“The Autists” presented by your corporation)
•    Exclusive, preeminent corporate branding placement on all event merchandise, marketing materials and communications relating to the event
•    Maximum corporate social networking, internet and web exposure with links to your corporate website and products
•    A private reception for you and your guests with our star headliners
•    Preeminent corporate branding placement onstage
•    Preeminent onsite branding placement throughout all rooms and spaces at the event
•    Ten complementary gala tickets (prime orchestra seats)
•    Special recognition and introduction of title sponsor representative at the concert by  celebrity MC
•    Preeminent branding on event invitations and event programs
•  Preeminent branding placement on event web site and in all e-correspondence pertaining  to this event
•    Preeminent branding placement on media advisory, story pitches, media releases
•    Preeminent placement on advertising materials
•    Preeminent branding placement on Geneva Centre for Autism web site (approx.1.5 million hits monthly)
•    Preeminent branding placement  in Geneva Centre for Autism Annual Report (distributed electronically to 5,000 provincial, national and international stakeholders)

THE AUTISTS  Platinum Sponsorships      $15,000

Benefits:
•    Social networking, internet and web exposure with links to your corporate web site and products
•    Private reception for you and your guests with our star headliner
•    Onsite branding placement throughout all rooms and spaces at the event
•    Six complementary Gala Tickets (orchestra seats)
•    Prominent branding placement on all invitations and print materials pertaining to event
•    Prominent branding placement in all e-correspondence pertaining to this event
•    Prominent mention in all press releases and correspondence pertaining to this event
•    Prominent branding placement in the Geneva Centre for Autism web site (approx.1.5 million hits monthly)
•    Prominent branding placement in the Geneva Centre for Autism Annual Report (distributed electronically to 5,000 provincial, national and international stakeholders)

THE AUTISTS  Gold Sponsorships       $5,000.00

Benefits:
•    Private reception with our star headliner
•    Onsite branding placement at the event
•    Four complementary gala tickets (orchestra seats)
•    Branding placement on most print materials pertaining to this event
•    Branding placement in all e-correspondence pertaining to this event
•    Branding placement in the Geneva Centre for Autism web site (approx.1.5 million hits monthly)
•    Branding placement in the Geneva Centre for Autism Annual Report (distributed electronically to 5,000 provincial, national and international stakeholders)

THE AUTISTS  Media  & Creative Sponsorships    (in-kind opportunities)

Benefits:
•    Maximum corporate social networking, internet and web exposure with links to your corporate web sites and programs
•    A private reception for you and your guests with our star headliner
•    Prominent branding placement onstage
•    Prominent onsite branding placement throughout all rooms and spaces at the event
•    Eight complementary gala tickets (prime orchestra seats)
•    Special recognition of media sponsor at the concert by celebrity MC
•    Prominent branding placement on all invitations and print materials pertaining to event
•    Prominent branding placement in all e-correspondence pertaining to this event
•    Prominent mentions in all press releases and correspondence pertaining to event
•    Prominent branding placement in the Geneva Centre for Autism web site  (approx.1.5 million hits monthly)
•    Prominent branding placement in the Geneva Centre for Autism Annual Report (distributed electronically to 5,000 provincial, national and international stakeholders)

THE AUTISTS  Creative Sponsors are:

UncleCharlie      jib design & advertising inc.     Underline Studio

Like to talk sponsorship?
To discuss sponsorship involvement with The Autists or to get more info on the packages above, or if you would like to discuss an idea for sponsorship that is not outlined in this document, please contact:

Ms. Hindy Abelson

Geneva Centre for Autism

112 Merton St.

Toronto, ON

M4S 2Z8

Canada

Tel: 416-322-7877 ext. 307

Fax: 416-322-7482

Email: habelson@autism.net

Website: www.autism.net

Autism, Some Insights

October 28th, 2009  |  Published in Autism So Far

Imagine living in a world where you are constantly bombarded with messages that are incomprehensible, where you are constantly overstimulated, and where, no matter how hard you try, you can’t find the words to express yourself.

This is what individuals with autism face every waking hour of every day. The reality for their parents, caregivers, and supporters is equally  debilitating and exhausting, both emotionally and physically.

Autism knows no racial, ethnic, social or economic boundaries. More people than ever are affected and latest statistics now cite that one in every 100 children are diagnosed with autism. Boys are four times more likely to be affected. More children are diagnosed with autism than with AIDS, diabetes and cancer combined.

Common traits of autism include:

  • Resistance to change
  • Odd, repetitive motions
  • Aversion to cuddling and closeness
  • Avoidance of eye contact
  • Inappropriate attachments to objects
  • Hyperactivity or under-activity
  • Difficulty grasping objects, or dressing themselves
  • Laughing, crying, or showing distress for unapparent reasons
  • Tantrums, and possible aggressive and/or self-injurious behaviour

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Ten Things Every Child with Autism Wishes You Knew
by Ellen Notbohm

(From the book Ten Things Every Child with Autism Wishes You Knew 2005, Future Horizons, Inc. - Reprinted in its entirety with permission of author)

Some days it seems the only predictable thing about it is the unpredictability. The only consistent attribute — the inconsistency. There is little argument on any level but that autism is baffling, even to those who spend their lives around it. The child who lives with autism may look “normal” but his behavior can be perplexing and downright difficult.

Autism was once thought an “incurable disorder,” but that notion is crumbling in the face knowledge and understanding that is increasing even as you read this. Every day, individuals with autism are showing us that they can overcome, compensate for and otherwise manage many of autism’s most challenging characteristics. Equipping those around our children with simple understanding of autism’s most basic elements has a tremendous impact on their ability to journey towards productive, independent adulthood.

Autism is an extremely complex disorder but for purposes of this one article, we can distill its myriad characteristics into four fundamental areas: sensory processing challenges, speech/language delays and impairments, the elusive social interaction skills and whole child/self-esteem issues. And though these four elements may be common to many children, keep front-of-mind the fact that autism is a spectrum disorder: no two (or ten or twenty) children with autism will be completely alike. Every child will be at a different point on the spectrum. And, just as importantly – every parent, teacher and caregiver will be at a different point on the spectrum. Child or adult, each will have a unique set of needs.

Here are ten things every child with autism wishes you knew:

1. I am first and foremost a child.
My autism is only one aspect of my total character. It does not define me as a person. Are you a person with thoughts, feelings and many talents, or are you just fat (overweight), myopic (wear glasses) or klutzy (uncoordinated, not good at sports)? Those may be things that I see first when I meet you, but they are not necessarily what you are all about.

As an adult, you have some control over how you define yourself. If you want to single out a single characteristic, you can make that known. As a child, I am still unfolding. Neither you nor I yet know what I may be capable of. Defining me by one characteristic runs the danger of setting up an expectation that may be too low. And if I get a sense that you don’t think I “can do it,” my natural response will be: Why try?

2. My sensory perceptions are disordered.
Sensory integration may be the most difficult aspect of autism to understand, but it is arguably the most critical. It his means that the ordinary sights, sounds, smells, tastes and touches of everyday that you may not even notice can be downright painful for me. The very environment in which I have to live often seems hostile. I may appear withdrawn or belligerent to you but I am really just trying to defend myself. Here is why a “simple” trip to the grocery store may be hell for me:

My hearing may be hyper-acute. Dozens of people are talking at once. The loudspeaker booms today’s special. Musak whines from the sound system. Cash registers beep and cough, a coffee grinder is chugging. The meat cutter screeches, babies wail, carts creak, the fluorescent lighting hums. My brain can’t filter all the input and I’m in overload!

My sense of smell may be highly sensitive. The fish at the meat counter isn’t quite fresh, the guy standing next to us hasn’t showered today, the deli is handing out sausage samples, the baby in line ahead of us has a poopy diaper, they’re mopping up pickles on aisle 3 with ammonia….I can’t sort it all out. I am dangerously nauseated.

Because I am visually oriented (see more on this below), this may be my first sense to become overstimulated. The fluorescent light is not only too bright, it buzzes and hums. The room seems to pulsate and it hurts my eyes. The pulsating light bounces off everything and distorts what I am seeing — the space seems to be constantly changing. There’s glare from windows, too many items for me to be able to focus (I may compensate with “tunnel vision”), moving fans on the ceiling, so many bodies in constant motion. All this affects my vestibular and proprioceptive senses, and now I can’t even tell where my body is in space.

3. Please remember to distinguish between won’t (I choose not to) and can’t (I am not able to). Receptive and expressive language and vocabulary can be major challenges for me. It isn’t that I don’t listen to instructions. It’s that I can’t understand you. When you call to me from across the room, this is what I hear: “*&^%$#@, Billy. #$%^*&^%$&*………” Instead, come speak directly to me in plain words: “Please put your book in your desk, Billy. It’s time to go to lunch.” This tells me what you want me to do and what is going to happen next. Now it is much easier for me to comply.

4. I am a concrete thinker. This means I interpret language very literally.
It’s very confusing for me when you say, “Hold your horses, cowboy!” when what you really mean is “Please stop running.” Don’t tell me something is a “piece of cake” when there is no dessert in sight and what you really mean is “this will be easy for you to do.” When you say “Jamie really burned up the track,” I see a kid playing with matches. Please just tell me “Jamie ran very fast.”

Idioms, puns, nuances, double entendres, inference, metaphors, allusions and sarcasm are lost on me.

5. Please be patient with my limited vocabulary.
It’s hard for me to tell you what I need when I don’t know the words to describe my feelings. I may be hungry, frustrated, frightened or confused but right now those words are beyond my ability to express. Be alert for body language, withdrawal, agitation or other signs that something is wrong.

Or, there’s a flip side to this: I may sound like a “little professor” or movie star, rattling off words or whole scripts well beyond my developmental age. These are messages I have memorized from the world around me to compensate for my language deficits because I know I am expected to respond when spoken to. They may come from books, TV, the speech of other people. It is called “echolalia.” I don’t necessarily understand the context or the terminology I’m using. I just know that it gets me off the hook for coming up with a reply.

6. Because language is so difficult for me, I am very visually oriented.
Please show me how to do something rather than just telling me. And please be prepared to show me many times. Lots of consistent repetition helps me learn.

A visual schedule is extremely helpful as I move through my day. Like your day-timer, it relieves me of the stress of having to remember what comes next, makes for smooth transition between activities, helps me manage my time and meet your expectations.

I won’t lose the need for a visual schedule as I get older, but my “level of representation” may change. Before I can read, I need a visual schedule with photographs or simple drawings. As I get older, a combination of words and pictures may work, and later still, just words.

7. Please focus and build on what I can do rather than what I can’t do.
Like any other human, I can’t learn in an environment where I’m constantly made to feel that I’m not good enough and that I need “fixing.” Trying anything new when I am almost sure to be met with criticism, however “constructive,” becomes something to be avoided. Look for my strengths and you will find them. There is more than one “right” way to do most things.

8. Please help me with social interactions.
It may look like I don’t want to play with the other kids on the playground, but sometimes it’s just that I simply do not know how to start a conversation or enter a play situation. If you can encourage other children to invite me to join them at kickball or shooting baskets, it may be that I’m delighted to be included.

I do best in structured play activities that have a clear beginning and end. I don’t know how to “read” facial expressions, body language or the emotions of others, so I appreciate ongoing coaching in proper social responses. For example, if I laugh when Emily falls off the slide, it’s not that I think it’s funny. It’s that I don’t know the proper response. Teach me to say “Are you OK?”

9. Try to identify what triggers my meltdowns.
Meltdowns, blow-ups, tantrums or whatever you want to call them are even more horrid for me than they are for you. They occur because one or more of my senses has gone into overload.  If you can figure out why my meltdowns occur, they can be prevented. Keep a log noting times, settings, people, activities. A pattern may emerge.

Try to remember that all behavior is a form of communication. It tells you, when my words cannot, how I perceive something that is happening in my environment.

Parents, keep in mind as well: persistent behavior may have an underlying medical cause. Food allergies and sensitivities, sleep disorders and gastrointestinal problems can all have profound effects on behavior.

10. Love me unconditionally.
Banish thoughts like, “If he would just……” and “Why can’t she…..” You did not fulfill every last expectation your parents had for you and you wouldn’t like being constantly reminded of it. I did not choose to have autism. But remember that it is happening to me, not you. Without your support, my chances of successful, self-reliant adulthood are slim. With your support and guidance, the possibilities are broader than you might think. I promise you – I am worth it.

And finally, three words: Patience. Patience. Patience. Work to view my autism as a different ability rather than a disability. Look past what you may see as limitations and see the gifts autism has given me. It may be true that I’m not good at eye contact or conversation, but have you noticed that I don’t lie, cheat at games, tattle on my classmates or pass judgment on other people? Also true that I probably won’t be the next Michael Jordan. But with my attention to fine detail and capacity for extraordinary focus, I might be the next Einstein. Or Mozart. Or Van Gogh.

They may have had autism too.

The answer to Alzheimer’s, the enigma of extraterrestrial life — what future achievements from today’s children with autism, children like me, lie ahead?

All that I might become won’t happen without you as my foundation. Be my advocate, be my friend, and we’ll see just how far I can go.

© 2005, 2009 Ellen Notbohm

Please contact the author for permission to reproduce in any way, including re-posting on the Internet.

Ellen Notbohm is author of Ten Things Every Child with Autism Wishes You Knew, Ten Things Your Student with Autism Wishes You Knew, and The Autism Trail Guide: Postcards from the Road Less Traveled, all ForeWord Book of the Year finalists. She is also co-author of the award-winning 1001 Great Ideas for Teaching and Raising Children with Autism Spectrum Disorders, a columnist for Autism Asperger’s Digest and Children’s Voice, and a contributor to numerous publications and websites around the world. To contact Ellen or explore her work, please visit www.ellennotbohm.com.

About Geneva Centre for Autism

October 28th, 2009  |  Published in The Geneva Centre for Autism

Geneva Centre for Autism has been a trailblazer and internationally recognized centre of excellence in the field of autism since 1974. The Centre influences policy, supports research and delivers innovative services that make a profound and life-changing difference to children, youth and adults with an Autism Spectrum Disorder (ASD) and their families.

Geneva Centre's Merton St. HQ

Geneva Centre's Merton St. HQ

Geneva Centre for Autism is a place that families turn to; a place where they find hope, support and, above all, possibilities for an independent, productive future for their children. The Centre is committed to enabling individuals with an ASD to participate more fully in school, to gain  employment and to establish relationships with their peers as well as in the community at large.  The Centre also provides critical tools to family members so they can provide ongoing complimentary care and support at home.

As Canada’s leading autism service provider we are there every step of the way to help individuals with an ASD reach their full potential.

“The Geneva Centre; three small words but with one large meaning: a lifeline to families touched by autism.”
Joanne Connolly, mother to twin sons with autism.

Jump to Geneva Centre for Autism Website

FLASH: Charles Pachter confirmed as Gala Art Auction Curator

October 25th, 2009  |  Published in News, Info

More big news: Canadian art legend Charles Pachter has agreed to act as Gala Art Auction Curator for The Autists 2010.

This means several very good things for our event:

  • The Autists stands to benefit from the credibility conferred upon it though having such a major force and persona in the art world as Mr Pachter handling so vital a portion of our event
  • The quality of works selected for sale in the Gala Art Action component of The Autists will be superlative
  • The likelihood of attracting high-calibre working artists to donate works to our cause increases substantially
  • The level of interest from prospective donors, as well as event sponsors, can be expected to rise significantly

From all of us at The Autists, welcome aboard, Charles!

Art, imagination and engagement — with a champagne chaser

September 25th, 2009  |  Published in About The Autists

Autism: Facts, Mysteries and Wonder

Autism Spectrum Disorder (ASD) is everywhere. It heeds neither racial, cultural nor economic boundaries. For the millions of children, youth and adults with autism, life is an ongoing struggle. For the parents and guardians who care for them, their greatest concern is “what will happen to our child after we’re gone?”

However, autism also happens to be, for some, the driving force behind astonishing intellectual and creative feats in areas such as drawing, painting, sculpting, filmmaking, music, mathematics, engineering and technical skills. For people who inhabit the autism universe – those who have it, those who care for them, as well as researchers, teachers and physicians, autism remains an enigma. What it does provide however, is a unique glimpse into the untapped potential that is the human mind.

The Event: An Overview

The Autists will take place on Sunday, May 2nd 2010, at Koerner Hall in the magnificently restored Royal Conservatory of Music’s TELUS Centre for Performance and Learning (photo below) in the heart of downtown Toronto. Early reviews have singled out this performance space as as among the nation’s finest.

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It will be a full-day extravaganza beginning with free art displays, music, talks and breakout information sessions during the day. In the evening, an exclusive invitation-only reception, art auction and gala concert will take place at the Conservatory Theatre and the adjacent architecturally and acoustically sensational 1,120 seat Koerner Hall. The concert will include a rich blend of international celebrities and musicians performing alongside gifted performers with autism.

The concert will be preceded by a live and silent auction in which some of Canada’s top artists will exhibit their works together with Autists from Canada and abroad. The professional artists performing in this event will use their star power to shine a spotlight on our multi-talented Autists.

The Purpose

1. To showcase and monetize the intellectual and artistic abilities of gifted individuals with autism, while putting them together with international stars — all in front of a wide audience of artists, musicians, collectors, curators, educators, arts patrons as well as the general public.

2. The gourmet champagne reception, live & silent art auctions and concert will support programs and services at Geneva Centre for Autism in Toronto as well as provide an income stream for the Autists themselves.

The Big Picture

The Autists will become an annual event that grows in scope with each passing year. Its goal is to provide both a source of income for a maximum number of gifted ASD children, youth and adults, as well as to support programs at the Geneva Centre for Autism that help children and youth with autism develop their gifts, integrate into society, get an education and reach their utmost potential.

For the gifted Autists featured at this event, this goal will be accomplished by pairing them with top professional musicians and artists in their fields who will perform and submit works alongside theirs. This will showcase and validate the Autists’ work, help them financially as well as benefit thousands of Toronto area children, youth and adults with an autism spectrum disorder.

Events
Music, Food and Revelry

Music will feature prominently, with Autist musicians and acclaimed professionals playing everything from classical to jazz. Since this is primarily a celebration of creativity, there will be a cocktail reception, gourmet delicacies and a festive, upbeat ambiance throughout the event.

Evening Gala Festivities: Cocktails, Cuisine, Schmoozing, Silent Auction and Live Auction

The evening portion will begin at 6:00pm, with aperitifs, gourmet delicacies and plenty of mingling. A welcome by the Geneva Centre’s Executive Director and our celebrity MC, along with a child with autism, will open the silent and live auction portion of the event. Here, local and international Autists’ creations — together with works by some of Canada’s most renowned artists — will be sold to the highest bidder.

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The Gala Concert hosted by, and featuring, internationally renowned stars from the world of classical music and jazz, together with our Autist performers, will begin at approximately 7:15pm.  At the halfway mark of the concert, a 20-minute intermission will give patrons an opportunity to put in their final bids at the silent auction.  After intermission, the concert will resume, followed by the payment and collection of auction pieces

Daytime Events and Speakers

Paul Fenn, Creative Director of newly-minted advertising and social media firm Uncle Charlie, and stepfather of a girl with autism, will host a selection of experts and personalities from the ASD field who will speak and interact with attendees.

Guest Stars for Concert and Art Auctions

Alongside a great lineup of gifted Autists, we will enlist the participation of Canadian and international stars in the fields of music, TV and film, together with some of Canada’s most prominent visual artists.

When and Where

The Autists fundraising gala and daytime events will all be held on Sunday May 2nd at the Royal Conservatory of Music’s Brand new Telus Centre for Performance and Learning in downtown Toronto. The concert will be occupying the stage at the magnificent and critically acclaimed Koerner Hall. This event will serve as the Geneva Centre for Autism’s signature annual gala.

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Who’s behind all this?

The idea of The Autists was conceived by Paul Fenn, Creative Director of advertising and social media firm Uncle Charlie. The event is a non-profit collaboration between Toronto’s Geneva Centre for Autism Foundation and Uncle Charlie. This is a rare opportunity to witness the untapped gifts possessed by many with an Autism Spectrum Disorder as well as to support the Geneva Centre for Autism’s programs and services.

Sponsorship Opportunities for a One-Of-A-Kind Event

Corporations, foundations and individuals interested in sponsorship of The Autists event are invited to contact:

Hindy Abelson, Director of Development, Grants and Events

Geneva Centre for Autism

Telephone: 416.322.7877 ext. 307

Email: habelson@autism.net

International ARTISTS

Gala Art Auction Curator for The Autists 2010

Charles Pachter - Artist, tastemaker, Chevalier,

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Charles Pachter (cpachter.com) is one of Canada’s leading contemporary artists. He holds degrees from U of T, the Sorbonne, Cranbrook Academy of Art and honorary doctorates from Brock University and the Ontario College of Art & Design. He is a member of the Order of Canada, a Chevalier of France’s Ordre des Arts et des Lettres, and a recipient of the Queen’s Jubilee medal. His works hang in public and private collections around the world. His queen, moose, and flags are pop icons of Canadian art. His flag paintings hang in the Toronto Stock Exchange, the Canadian Embassy in Washington and the Parliament buildings in Ottawa. Pachter exhibitions have toured France, Germany, Japan, and India. McClelland & Stewart publications include an illustrated biography, and The Journals of Susanna Moodie, his celebrated collaboration with poet Margaret Atwood. He lives and works in downtown Toronto in a residence designed by award winning Canadian architect Stephen Teeple.

Boris Brott - Conductor, music director, knight in shining armour

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Boris Brott (borisbrott.com) has served as: Conductor and Music Director of the New West Symphony in California; McGill Chamber Orchestra in Montreal; the National Academy Orchestra of Canada; Principal Youth and Family Conductor of the National Arts Center of Canada and Artistic Director of the Brott Musical Festivals. Boris served as Assistant Conductor to the New York Philharmonic under Leonard Bernstein; Music Director & Conductor for the Royal Ballet, Covent Garden; Chief Conductor of BBC National Symphony of Wales and Music Director of the Northern Sinfonia of England.  Boris conducted Leonard Bernstein’s The Mass for Pope John Paul II at the Vatican; was awarded Officer of the Order of Canada; an Honorary Doctorate of Law at McMaster University; made a Knight of Malta; selected International Man of the Year by the International Biographical Center in Cambridge, England; elected a Fellow of the Royal Society of Arts of Great Britain and appointed to the Order of Ontario.  Mr. Brott conducted, produced, and and hosted over 100 TV programs and recorded for CBC, Septre-Mace, Mercury, Pro-Arte Records and Sony Classical.

Lindsay Fischer, Artistic Director -YOU dance, National Ballet of Canada, Doctor of Dance

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Lindsay Fischer is a native of New York City. He graduated from National Ballet of Canada School in 1978 and began a dance career that took him to Lisbon, Amsterdam, New York City and back to Toronto. During that time, he performed as a Principal Dancer with the Dutch National Ballet and New York City Ballet and as a guest artist with some of the greatest ballerinas of the era, including Margaret Barbieri, Cynthia Gregory and Evelyn Hart. Upon his retirement from performing, Mr. Fischer joined the artistic staff of Canada’s National Ballet School, where, in addition to teaching, he created a structure to guide the school’s graduates to professional employment. Most recently, Mr. Fischer was appointed Director of the Professional Dance Program at The Banff Centre. Mr. Fischer has created works for senior students of Canada’s National Ballet School and has overseen the production of ballets by George Balanchine, James Kudelka, Rudi van Dantzig, Peggy Baker, Christopher House, Matjash Mrozewski and Toer van Schayk. He has staged ballets for and been a guest ballet master with a variety of professional companies in Canada and abroad and was a guest repétitéur for The National Ballet of Canada from 1999 to 2007, becoming Ballet Master in 2007. Mr. Fischer is currently Artistic Director of the highly successful YOU dance program, a joint initiative of the National Ballet and Canada’s National Ballet School, whose goal is to engage young people in the world of dance and ballet.

International AUTISTS

Matt Savage — Pianist, composer, jammer

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Matt Savage (savagerecords.com) is a 17-year-old award-winning and internationally celebrated Jazz pianist with autism.  In 2000, when Matt Savage was just 8 years old, he played piano for Dave Brubeck and jammed at a sound session with Chick Corea. The following year he was invited to a soundcheck to jam with jazz great McCoy Tyner and his sidemen, Avery Sharpe and Al Foster. In 2003, at the age of 11, Matt debuted at the famed Blue Note in Manhattan. The following year he debuted at Birdland, performing with the legendary Clark Terry on trumpet, Jimmy Heath on sax, Jon Faddis on trumpet, Marcus McLaurine on bass and Kenny Washington on drums. By 2005, Matt had performed twice with Chaka Khan. In February of 2007, Matt made his first appearance at the prestigious Dizzy’s Club Coca-Cola at Jazz at Lincoln Center. At 16, Matt appeared on “The Late Show with David Letterman” as the musical act, released his newest CD, hit #11 on the JazzWeek radio charts, garnered the #2 position in LIVE JAZZ sales on Amazon.com (behind only Keith Jarrett) and signed an international sub-publishing deal with SONY/ATV.

See Matt get ‘Infected with Hemiola’

Matt plays Blues in 33/8

Further studies

See a prodigious savant recite Pi to 22,500 decimal places, learn fluent Icelandic in a week and other mild pursuits (First of 5 videos)

More Artists & Autists to come soon, so check back often.